Ezra Kaine looks like someone halfway between a professor and a ghost — the kind of man people remember a moment too late. There’s a deliberate smallness to how he carries himself, as if he’s always trying not to disturb the air around him. His build is lean, the sort that comes from forgotten meals and long walks through the city when sleep won’t come.
His hair curls just enough to look unkempt no matter how often he runs his hands through it, often a shade darker than the light around him, giving his blue eyes a haunted clarity. There’s something oceanic in them — not vast, but deep; the color of tidepools that have seen too much reflection. His features are sharp but weary, softened by exhaustion rather than kindness. When he smiles (rarely), it’s brief — a flicker of warmth that never quite reaches the eyes before being swallowed by thought.
He dresses like an academic who has never stopped expecting winter: wool coats, threadbare cardigans, button-downs gone pale from washing, everything layered and practical. There’s a quiet ritualism in his appearance — his coat always buttoned halfway, his collar slightly askew — as if he’s trying to preserve some pattern no one else can see.
When he speaks, it’s with precision — each word chosen, weighted, and placed like a note in a symphony only he can hear. His silences are heavier than most people’s sentences. He listens like a confession is being offered, even when the conversation is mundane.